A walk inside
Four settings, sixteen pieces. No catalogue, no filters: just the work, at the scale you see it.
Walnut panelling in the drawing room: continuous grain floor to ceiling and a console carved from the same piece.
Pivot door in walnut, flush with the panelling. Closed, it disappears into the wall.
Oak corridor with concealed doors and linear lighting built into the panel itself.
Dark walnut bookcase over a granite counter, with warm grazing light on every shelf.
Backlit lattice: batten upon batten, calculated to filter the light without glare.
Club room with a coffered walnut ceiling and a bar at the far end, all in one tone.
Curved bottle rack in reeded glass and timber, over a marble bar with brass pulls.
Curved walnut bar with a brass plinth and concealed light lifting the unit off the floor.
Panel saw: the exact cutting list everything else comes from.
Biesse Rover CNC machining centres: routing, drilling and machining to a tenth of a millimetre.
Pressurised spray booths with filtration: not a speck of dust between the lacquer and the surface.
Hydraulic press for panelling and veneer. The curve is made here, not on site.
Oak display cabinet with reeded glass: transparency without showing everything.
Volume clad in natural fabric, with a constant shadow gap and a pull routed into the door itself.
Pale oak kitchen: handleless fronts, continuous grain and a flush worktop.
Private booth lined in walnut, with a bespoke curved sofa and perimeter light in the dropped ceiling.